Catalogue - page 1

363 pages. Temps de lecture estimé 4h32min.

222 pages. Temps de lecture estimé 2h46min.
"Ce sont mes élèves qui m'ont enseigné comment leur apprendre" déclare Bordreuil Myriam. Cette méthode d’alphabétisation est l’aboutissement de sept années de travail sur le terrain, chacune de ses unités ayant été testée avec le public alpha et adaptée en fonction de ses réactions. Conçue pour l’apprenant comme pour l’enseignant (guide pédagogique en fin d’ouvrage), elle contient une grande variété d’exercices, des tableaux d’entraînement à la lecture, des illustrations pour faciliter la compréhension et la mémorisation, etc.

60 pages. Temps de lecture estimé 45min.
Cet essai explore la vie et l’héritage d’Olympe de Gouges sous une lumière particulière : celle d’une femme libre, en conscience. Alors que la Révolution française ne permettait pas aux femmes de participer aux institutions politiques, elle s’inscrira en “agent” libre de la Révolution pour partager ses idéaux égalitaristes.À travers le concept d’“institution imaginaire de la société”, selon le philosophe grec Cornelius Castoriadis, nous verrons comment Olympe de Gouges s’engage avant tout à changer les mœurs d’une société révolutionnaire qui, pourtant, ne cessera de la reléguer à la périphérie du projet politique commun. C’est aussi à travers le concept de “groupe”, selon Jean-Paul Sartre, que nous analyserons en quoi une des plus grandes figures féministes de la Révolution française a pu devenir, aux yeux de beaucoup d’historiens, une “folle de la démocratie”.

136 pages. Temps de lecture estimé 1h42min.
Euripides' play follows the fates of the women of Troy after their city has been sacked, their husbands killed, and as their remaining families are about to be taken away as slaves. However, it begins first with the gods Athena and Poseidon discussing ways to punish the Greek armies because they condoned Ajax the Lesser for dragging Cassandra away from Athena's temple. What follows shows how much the Trojan women have suffered as their grief is compounded when the Greeks dole out additional deaths and divide their shares of women. This translation by Gilbert Murray was published in 1915.

96 pages. Temps de lecture estimé 1h12min.
Inclassable et dérangeant, Miracle de Jean Genet n’est pas un ovni. C’est une exégèse sans les murs, sans l’académisme universitaire habituel. C’est un long poème écrit par une captive amoureuse aussi déjantée qu’érudite ; c’est une bombe littéraire sans retardement, tout comme on a parlé de la « bombe Genet » (Jean Cocteau) au sujet de l’auteur de Miracle de la rose. Le Miracle de Jean Genet, c’est celui de la poésie qui pulvérise tous les paradigmes éculés, fait voler en éclats les flicages quels qu’ils soient, y compris ceux de la pensée.

56 pages. Temps de lecture estimé 42min.
Poe’s famous narrative poem and the author’s reflections on its composition. (David Wales)

99 pages. Temps de lecture estimé 1h14min.
On propose ici une lecture pluridisciplinaire de l'émergence de la mémoire du 17 octobre 1961, afin de comprendre le processus qui a permis à ce massacre de ne pas tomber dans l'oubli. Pour cela, en corrélation, le témoignage des survivants dans les sciences sociales et humaines, et particulièrement dans la littérature, s'impose.

343 pages. Temps de lecture estimé 4h17min.
Largement liée aux notions, fondamentales en sociolinguistique, de norme et de communauté linguistique, l'insécurité linguistique est liée à un rapport ambivalent et conflictuel à la langue, à la représentation de décalages entre ce qui est et ce qui devrait être, à la peur que l'échange verbal ne trahisse le manque, la défaillance, la dilution, à la perception d'être pour ainsi dire condamné à agir dans un entre-deux linguistique, identitaire, forcément illégitime.

190 pages. Temps de lecture estimé 2h22min.
Throughout Western civilization, animals have decorated heraldic shields, populated medieval manuscripts, and ornamented baroque pottery. Animals have also been our companions, our correctives, and our ciphers as humanity has represented and addressed issues of authority, cultural strife, and self-awareness as theological, moral, and social beings. In The Wisdom of Animals: Creatureliness in Early Modern French Spirituality, Catharine Randall traces two threads of thought that consistently appear in a number of early modern French texts: how animals are used as a means for humans to explore themselves and the meaning of existence; and how animals can be subjects in their own right. In her accessible, interdisciplinary study, Randall explores the link between philosophical and theological discussions of the nature and status of animals vis-à-vis the rest of existence, particularly humans. In doing so, she provides the early modern backdrop for the more frequently studied modern and postmodern notions of animality. Randall approaches her themes by way of French confessional and devotional literature, especially the works of Michel de Montaigne, Guillaume Salluste Du Bartas, St. François de Sales, and Guillaume-Hyacinthe Bougeant. From these, she elicits contrasting perspectives of animality: rational vs. mystical, representational vs. sacramental, religious vs. secular, and Protestant vs. Jesuit Catholic perspectives.

164 pages. Temps de lecture estimé 2h03min.
"What is the hangman but a servant of law? And what is that law but an expression of public opinion? And if public opinion be brutal and thou a component part thereof, art thou not the hangman''s accomplice?" Writing in 1842, Lydia Maria Child articulates a crisis in the relationship of democracy to sovereign power that continues to occupy political theory today. Is sovereignty, with its reliance on singular and exceptional power, fundamentally inimical to democracy? Or might a more fully realized democracy distribute, share, and popularize sovereignty, thus blunting its exceptional character and its basic violence? In Democracy''s Spectacle, Jennifer Greiman looks to an earlier moment in the history of American democracy''s vexed interpretation of sovereignty to argue that such questions about the popularization of sovereign power shaped debates about political belonging and public life in the antebellum United States. In an emergent democracy that was also an expansionist slave society, Greiman argues, the problems that sovereignty posed were less concerned with a singular and exceptional power lodged in the state than with a power over life and death that involved all Americans intimately.Drawing on Alexis de Tocqueville''s analysis of the sovereignty of the people in Democracy in America, along with work by Gustave de Beaumont, Lydia Maria Child, Nathaniel Hawthorne, and Herman Melville, Greiman tracks the crises of sovereign power as it migrates out of the state to become a constitutive feature of the public sphere. Greiman brings together literature and political theory, as well as materials on antebellum performance culture, antislavery activism, and penitentiary reform, to argue that the antebellum public sphere, transformed by its empowerment, emerges as a spectacle with investments in both punishment and entertainment.

120 pages. Temps de lecture estimé 1h30min.
This book intervenes in transatlantic and hemispheric studies by positing "America" as not a particular country or continent but a foundational narrative, in which conquerors arrive at a shore intent on overwriting local versions of humanity, culture, and landscape with inscriptions of their own design. This imposition of foreign textualities, however dominant, is never complete because the absences of the disappeared still linger manifestly, still are present. That apparent paradox results in a haunted America, whose conquest is always partial and whose conquered are always contestatory. Readers of scholarship by transatlanticists such as Paul Gilroy and hemispherists such as Diana Taylor will find new conceptualizations here of an America that knows no geographic boundaries, whose absences are collective but not necessarily interrelated by genealogy. The five principal texts at hand - Columbus''s diary of his first voyage, the Popol Vuh of the Maya-K''iche'', Defoe''s Robinson Crusoe, Evita''s Cuando los Combes luchaban (the first African novel in Spanish), and Pynchon''s Mason & Dixon - are examined as foundational stories of America in their imaginings of its transatlantic commencement. Interspersed too are shorter studies of narratives by William Carlos Williams, Rigoberta Menchú, Álvar Núñez Cabeza de Vaca, José Martí, Mark Knopfler (former lead singer of Dire Straits) and Gabriel García Márquez. These texts are rarely if ever read together because of their discrete provenances in time and place, yet their juxtaposition reveals how the disjunctions and ruptures that took place on the eastern and western shores of the Atlantic upon the arrival of Europeans became insinuated as recurring and resistant absences in narratives ostensibly contextualized by the Conquest.The book concludes by proposing that Mary Shelley''s Frankenstein is the great American novel.After Specters of Conquest: Indigenous Absence in Transatlantic Literatures, America will never seem the same.

195 pages. Temps de lecture estimé 2h26min.
This book intervenes in transatlantic and hemispheric studies by positing "America" as not a particular country or continent but a foundational narrative, in which conquerors arrive at a shore intent on overwriting local versions of humanity, culture, and landscape with inscriptions of their own design. This imposition of foreign textualities, however dominant, is never complete because the absences of the disappeared still linger manifestly, still are present. That apparent paradox results in a haunted America, whose conquest is always partial and whose conquered are always contestatory. Readers of scholarship by transatlanticists such as Paul Gilroy and hemispherists such as Diana Taylor will find new conceptualizations here of an America that knows no geographic boundaries, whose absences are collective but not necessarily interrelated by genealogy. The five principal texts at hand - Columbus''s diary of his first voyage, the Popol Vuh of the Maya-K''iche'', Defoe''s Robinson Crusoe, Evita''s Cuando los Combes luchaban (the first African novel in Spanish), and Pynchon''s Mason & Dixon - are examined as foundational stories of America in their imaginings of its transatlantic commencement. Interspersed too are shorter studies of narratives by William Carlos Williams, Rigoberta Menchú, Álvar Núñez Cabeza de Vaca, José Martí, Mark Knopfler (former lead singer of Dire Straits) and Gabriel García Márquez. These texts are rarely if ever read together because of their discrete provenances in time and place, yet their juxtaposition reveals how the disjunctions and ruptures that took place on the eastern and western shores of the Atlantic upon the arrival of Europeans became insinuated as recurring and resistant absences in narratives ostensibly contextualized by the Conquest.The book concludes by proposing that Mary Shelley''s Frankenstein is the great American novel.After Specters of Conquest: Indigenous Absence in Transatlantic Literatures, America will never seem the same.

93 pages. Temps de lecture estimé 1h10min.
This book tests the proposition that the humanities can, and at their best do, represent a commitment to ethical reading. And that this commitment, and the training and discipline of close reading that underlie it, represent something that the humanities need to bring to other fields: to professional training and to public life.What leverage does reading, of the attentive sort practiced in the interpretive humanities, give you on life? Does such reading represent or produce an ethics? The question was posed for many in the humanities by the “Torture Memos” released by the Justice Department a few years ago, presenting arguments that justified the use of torture by the U.S. government with the most twisted, ingenious, perverse, and unethical interpretation of legal texts. No one trained in the rigorous analysis of poetry could possibly engage in such bad-faith interpretation without professional conscience intervening to say: This is not possible.Teaching the humanities appears to many to be an increasingly disempowered profession—and status—within American culture. Yet training in the ability to read critically the messages with which society, politics, and culture bombard us may be more necessary than ever in a world in which the manipulation of minds and heartsis more and more what running the world is all about.This volume brings together a group of distinguished scholars and intellectuals to debate the public role and importance of the humanities. Their exchange suggests that Shelley was not wrong to insist that poets are the unacknowledged legislators of mankind: Cultural change carries everything in its wake. The attentive interpretive reading practiced in the humanities ought to be an export commodity to other fields and to take its place in the public sphere.

173 pages. Temps de lecture estimé 2h10min.
This book tests the proposition that the humanities can, and at their best do, represent a commitment to ethical reading. And that this commitment, and the training and discipline of close reading that underlie it, represent something that the humanities need to bring to other fields: to professional training and to public life.What leverage does reading, of the attentive sort practiced in the interpretive humanities, give you on life? Does such reading represent or produce an ethics? The question was posed for many in the humanities by the “Torture Memos” released by the Justice Department a few years ago, presenting arguments that justified the use of torture by the U.S. government with the most twisted, ingenious, perverse, and unethical interpretation of legal texts. No one trained in the rigorous analysis of poetry could possibly engage in such bad-faith interpretation without professional conscience intervening to say: This is not possible.Teaching the humanities appears to many to be an increasingly disempowered profession—and status—within American culture. Yet training in the ability to read critically the messages with which society, politics, and culture bombard us may be more necessary than ever in a world in which the manipulation of minds and heartsis more and more what running the world is all about.This volume brings together a group of distinguished scholars and intellectuals to debate the public role and importance of the humanities. Their exchange suggests that Shelley was not wrong to insist that poets are the unacknowledged legislators of mankind: Cultural change carries everything in its wake. The attentive interpretive reading practiced in the humanities ought to be an export commodity to other fields and to take its place in the public sphere.

183 pages. Temps de lecture estimé 2h17min.
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur.Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational.Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic.Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.

286 pages. Temps de lecture estimé 3h34min.
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur.Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational.Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic.Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.

248 pages. Temps de lecture estimé 3h06min.
In this book, the author argues that certain modern literary texts have apocalyptic futures. Rather than claim that great writers have clairvoyant powers, he examines the ways in which a text incorporates an apocalyptic event into its future reception. He is thus concerned with the way in which apocalyptic works solicit their future receptions.Apocalyptic Futures also sets out to articulate a new theory and textual practice of the relation between literary reception and embodiment. Deploying the double register of “marks” to show how a text both codes and targets mutilated bodies, the author focuses on how these bodies are incorporated into texts by Kafka, Conrad, Coetzee, and Spiegelman.Situating “In the Penal Colony” in relation to the Holocaust, Heart of Darkness to the Rwandan genocide, and Waiting for the Barbarians to the revelations of torture in apartheid South Africa and contemporary Iraq, the author argues for the ethical and political importance of reading these literary works’ “apocalyptic futures” in our own urgent and perilous situations. The book concludes with a reading of Spiegelman''s Maus that offers a messianic counter-time to the law of apocalyptic incorporation.

289 pages. Temps de lecture estimé 3h37min.
"What is the hangman but a servant of law? And what is that law but an expression of public opinion? And if public opinion be brutal and thou a component part thereof, art thou not the hangman''s accomplice?" Writing in 1842, Lydia Maria Child articulates a crisis in the relationship of democracy to sovereign power that continues to occupy political theory today. Is sovereignty, with its reliance on singular and exceptional power, fundamentally inimical to democracy? Or might a more fully realized democracy distribute, share, and popularize sovereignty, thus blunting its exceptional character and its basic violence? In Democracy''s Spectacle, Jennifer Greiman looks to an earlier moment in the history of American democracy''s vexed interpretation of sovereignty to argue that such questions about the popularization of sovereign power shaped debates about political belonging and public life in the antebellum United States. In an emergent democracy that was also an expansionist slave society, Greiman argues, the problems that sovereignty posed were less concerned with a singular and exceptional power lodged in the state than with a power over life and death that involved all Americans intimately.Drawing on Alexis de Tocqueville''s analysis of the sovereignty of the people in Democracy in America, along with work by Gustave de Beaumont, Lydia Maria Child, Nathaniel Hawthorne, and Herman Melville, Greiman tracks the crises of sovereign power as it migrates out of the state to become a constitutive feature of the public sphere. Greiman brings together literature and political theory, as well as materials on antebellum performance culture, antislavery activism, and penitentiary reform, to argue that the antebellum public sphere, transformed by its empowerment, emerges as a spectacle with investments in both punishment and entertainment.

147 pages. Temps de lecture estimé 1h50min.
In Loaded Words the inimitable literary and cultural critic Marjorie Garber invites readers to join her in a rigorous and exuberant exploration of language. What links the pieces included in this vibrant new collection is the author’s contention that all words are inescapably loaded—that is, highly charged, explosive, substantial, intoxicating, fruitful, and overbrimming—and that such loading is what makes language matter.Garber casts her keen eye on terms from knowledge, belief, madness, interruption, genius, and celebrity to humanities, general education, and academia. Included here are an array of stirring essays, from the title piece, with its demonstration of the importance of language to our thinking about the world; to the superb “Mad Lib,” on the concept of madness from Mad magazine to debates between Foucault and Derrida; to pieces on Shakespeare, “the most culturally loaded name of our time,” and the Renaissance.With its wide range of cultural references and engaging style coupled with fresh intellectual inquiry, Loaded Words will draw in and enchant scholars, students, and general readers alike.

246 pages. Temps de lecture estimé 3h04min.
In Loaded Words the inimitable literary and cultural critic Marjorie Garber invites readers to join her in a rigorous and exuberant exploration of language. What links the pieces included in this vibrant new collection is the author’s contention that all words are inescapably loaded—that is, highly charged, explosive, substantial, intoxicating, fruitful, and overbrimming—and that such loading is what makes language matter.Garber casts her keen eye on terms from knowledge, belief, madness, interruption, genius, and celebrity to humanities, general education, and academia. Included here are an array of stirring essays, from the title piece, with its demonstration of the importance of language to our thinking about the world; to the superb “Mad Lib,” on the concept of madness from Mad magazine to debates between Foucault and Derrida; to pieces on Shakespeare, “the most culturally loaded name of our time,” and the Renaissance.With its wide range of cultural references and engaging style coupled with fresh intellectual inquiry, Loaded Words will draw in and enchant scholars, students, and general readers alike.